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David Acton
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Nancy Jachec
Franz-W. Kaiser
Thomas Kellein
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Ingrid Koszinowski
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Claudia Puizza
Eliza E. Rathbone
Barbara Rose
Robert Rosenblum
Mark Rosenthal
Christopher Rothko
Irving Sandler
Joseph J. Schildkraut
Paul Schimmel
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Jasper Sharp
Jens Stenger
Jessica Stewart
Kalus Stichweh
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127 References

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Acton, David. Rothko entry. In The Stamp of Impulse: Abstract Expressionist Prints, edited by David Acton. Worcester Art Museum, Worcester, MA, 2001: 50.

Alarcó, Paloma. “Monet et l’abstraction / Monet and Abstraction.” In Monet et l’abstraction / Monet and Abstraction, by Paloma Alarcó and Jaques Taddei. Musée Marmottan Monet, Paris, 2010: 8-87.

Alarcó, Paloma. “Monet and Abstraction.” In Monet y la abstracción, by Paloma Alarcó and Michael Leja. Museo Thyssen-Bornemisza, Madrid, 2010: 317–328.

Alloway, Lawrence. “The Biomorphic Forties.” In The Interpretive Link: Abstract Surrealism into Abstract Expressionism, Works on Paper 1938–1948, by Paul Schimmel, Lawrence Alloway, Dore Ashton, et al. Newport Harbor Art Museum, Newport Beach, CA, 1986: 33–36.

Ammann, Jean-Christophe. “A Fictional Museum for A Fabulous Collection.” In A Selection from the Daros Collection, edited by Walter Soppelsa. Zurich, Switzerland, 2012: 9–14.

Anfam, David. “A World Elsewhere,” in Abstract Expressionism — A World Elsewhere. Haunch of Venison, New York, 2008: 10–23.

Anfam, David. "An Unending Equation." In Abstract Expressionism, edited by David Anfam. Royal Academy of Arts, London, 2016: 14–49.

Anfam, David. “Dark Illumination: The Context of the Rothko Chapel.” In Mark Rothko: The Chapel Commission, by David Anfam and Carol Mancusi-Ungaro. The Menil Collection, Houston, TX, 1996: 6–15.

Anfam, David. “Notes on the Art of Marcus Rothkowitz: Between Time Past and Future.” In Against the Stream: Milton Avery, Adolph Gottlieb, and Mark Rothko in the 1930s, by Jill Snyder. Katonah Museum of Art, Katonah, NY, 1994: 24–31.

Anfam, David. “Rothko in the 1940s: Of Time and Tide.” In Mark Rothko: The Decisive Decade, 1940–1950, edited by Bradford R. Collins. Columbia Museum of Art, Columbia, SC, 2012: 76–86.

Anfam, David. “Rothko's Multiforms: The Moment of Transition and Transformation.” In Mark Rothko: "Multiforms," Bilder von 1947–1949. Galerie Daniel Blau, Munich, Germany, 1993: 25–31.

Anfam, David. “The Art of Mark Rothko: Simplifying the Complex Thought.” In Mark Rothko, by David Anfam et al. Tokyo Shimbun, Tokyo, 1995: 12–21.

Anfam, David. “The World in a Frame.” In Rothko: The Late Series, edited by Achim Borchardt-Hume. Tate Modern, London, 2008: 45–57.

Anfam, David. “Walls of the Mind.” In Mark Rothko and William Scott: Continuing the Dialogue by David Anfam and Danielle Gaudry Cazeau. Anita Rogers Gallery, New York, 2023: 11–17.

Baigell, Matthew. “Mark Rothko.” In American Artists, Jewish Images, by Matthew Baigell. Syracuse, NY, 2006: 63–77.

Baigell, Matthew. “The Abstract Expressionists.” In Jewish Artists in New York: The Holocaust Years by Matthew Baigell. New Brunswick, NJ, 2002: 98–151.

Baum, Kelly. “Mark, Maker, Method.” In Rothko to Richter: Mark-Making in Abstract Painting from the Collection of Preston H. Haskell, edited by Kelly Baum. Princeton University Art Museum, Princeton, NJ, 2014: 10–28.

Birmingham, Mary. Rothko entry. In Montclair Art Museum: Selected Works, by Mary Birmingham, Twig Johnson, Diane P. Fischer, and Gail Stavitsky. Montclair, NJ, 2002: 143.

Boehm, Gottfried. “Das Lebendige: Rothkos Zugänge zum Bild.” In Mark Rothko Retrospektive, by Hubertus Gassner et al. Kunsthalle der Hypo-Kulturstiftung, Munich, Germany, and Hamburger Kunsthalle, Hamburg, Germany, 2008: 180–185.

Breitman, Ellen. Rothko entry. In The Interpretive Link: Abstract Surrealism into Abstract Expressionism, Works on Paper 1938-1948, by Paul Schimmel and Lawrence Alloway. Newport Harbor Art Museum, Newport Beach, CA, 1986: 168.

Brüderlin, Markus, ed. “The Avant-Garde of Deceleration: Motion and Rest in Modern Art, from Goethe and Caspar David Fredrich to Ai Wei Wei.” In The Art of Deceleration: Motion and Rest in Art from Caspar David Friedrich to Ai Weiwei, edited by Markus Brüderlin. Kunstmuseum Wolfsburg, Wolfsburg, Germany, 2011.

Bruno, Vincent J. “Mark Rothko and the Second Style: The Art of the Color-Field in Roman Murals.” In Eius Virtutis Studiosi: Classical and Postclassical Studies in Memory of Frank Edward Brown (1908–1988), edited by Russell T. Scott and Ann Reynolds Scott. Studies in the History of Art [National Gallery of Art], vol. 43. Washington, 1993: 235–255.

Caldwell, John. Rothko entry. In American Drawings and Watercolors in the Museum of Art, Carnegie Institute, edited by Henry Adams. Carnegie Institute, Pittsburgh, PA, 1985.

Carandente, Giovanni. “Mark Rothko's Three Italian Journeys.” In Mark Rothko, edited by Oliver Wick. Palazzo delle Esposizioni, Rome, 2007: 33–39.

Coelho, Eduardo Prado. “Situations of the Infinite.” In Utopia Pavilion: 1998 Lisbon World Exposition. Lisbon, 1998: 77–90.

Cohen DePietro, Anne. “The Art of Betty Parsons: Carpenters’ Throwaways and the Expanding World.” In Shaping a Generation: The Art and Artists of Betty Parsons, edited by Anne Cohen DePietro. Heckscher Museum of Art, Huntington, NY, 1999.

Collins, Bradford R. “Beyond Pessimism: Rothko’s Nietzschean Quest, 1940–1949.” In Mark Rothko: The Decisive Decade, 1940–1950, edited by Bradford R. Collins. Columbia Museum of Art, Columbia, SC, 2012: 47–59.

Compton, Michael. “Introduction into the Seagram Mural Project.” In Mark Rothko: Kaaba in New York, edited by Thomas Kellein. Kunsthalle Basel, Basel, Switzerland, 1989: 9–21.

Crow, Thomas. “Unknowing Parallels: The Last Artistic Thoughts of Mark Rothko and Eva Hesse.” In Late Thoughts: Reflections on Artists and Composers at Work, edited by Karen Painter and Thomas Crow. Los Angeles, CA, 2006: 55–61.

Davidson, Susan. "Feminism for the Most Masculine: How Two Women Launched an Art Market." In Abstract Expressionism, edited by David Anfam. Royal Academy of Arts, London, 2016: 86–103.

Davidson, Susan. "Focusing an Instinct: The Collecting of Peggy Guggenheim." In Peggy Guggenheim and Frederick Kiesler: The Story of Art of this Century, edited by Susan Davidson and Philip Rylands. Venice, 2004: 50–89.

Davidson, Susan. “La messa a fuoco di un istinto. Il collezionismo di Peggy Guggenheim.” In Da Kandinsky a Pollock: La Grande Arte dei Guggenheim. Palazzo Strozzi, Florence, 2016: 55–83.

de Brosses, Cordélia. “The Rothko Chapel: Painting the Night.” In Pagé, Suzanne, and Christopher Rothko, eds. Mark Rothko. Fondation Louis Vuitton, Paris, 2023: 285–295.

Dotan, Esther. “Closed Spaces, Imaginary Boundaries: Rothko's Subway Scenes.” In Mark Rothko, edited by Mordecai Omer and Christopher Rothko. Tel Aviv Museum of Art, Tel Aviv, Israel, 2007: 29–41.

Falconer, Morgan. “Things Must be Pulverized: Abstract Expressionism.” In Painting Beyond Pollock, by Morgan Falconer. London, 2015: 10–45.

Faxon, Susan C. Rothko entry. In On Paper: Masterworks from the Addison Collection. Addison Gallery of American Art, Phillips Academy, Andover, MA, 2004: 208–209.

Fer, Briony. “Rothko and Repetition.” In Seeing Rothko, edited by Glenn Phillips and Thomas Crow. Los Angeles, CA, 2005: 159–175.

Fer, Briony. “Seeing in the Dark.” In Rothko: The Late Series, edited by Achim Borchardt-Hume. Tate Modern, London, 2008: 31–43.

Fine, Ruth. “Mark Rothko.” In El arte de Mark Rothko: Selección de la Galería Nacional de Arte de Washington, by Ruth Fine and Teresa Arcq. Museo de arte moderno, Mexico City, 2005: 60–78.

Fine, Ruth. “Mark Rothko.” In The Art of Mark Rothko: Selections from the National Gallery of Art, Washington, by Ruth Fine et al. Leeum, Samsung Museum of Art, Seoul, 2006: 23–31.

Fine, Ruth. “Meaning in Touch: Rothko on Paper.” In Mark Rothko: The Decisive Decade, 1940–1950, edited by Bradford R. Collins. Columbia Museum of Art, Columbia, SC, 2012: 102–119.

Frank, Susan Behrends. “Amerikas Weg in die Moderne. Duncan Phillips und die Phillips Collection.” In Von Hopper bis Rothko: Amerikas Weg in die Moderne, edited by Ortrud Westheider and Michael Philipp. Museum Barberini, Potsdam, Germany, 2017: 8–25.

Frank, Susan Behrends and Miriam Häßler. “Farbe und Raum. Malerei in den sechziger Jahren.” In Von Hopper bis Rothko: Amerikas Weg in die Moderne, edited by Ortrud Westheider and Michael Philipp. Museum Barberini, Potsdam, Germany, 2017: 212–215.

Frank, Susan Behrends. “Künstlerbiographien.” In Von Hopper bis Rothko: Amerikas Weg in die Moderne, edited by Ortrud Westheider and Michael Philipp. Museum Barberini, Potsdam, Germany, 2017: 232–243.

Gamwell, Lynn. “Dream Archive.” In Dreams 1900 – 2000: Science, Art, and the Unconscious Mind, edited by Lynn Gamwell. Binghamton University Art Museum, Binghamton, NY, 2000: 211–300.

Gassner, Hubertus. “‘Das Entsetzen oder die Hoffnung’: Mark Rothko sieht Pierre Bonnard.” In Mark Rothko Retrospektive, by Hubertus Gassner et al. Kunsthalle der Hypo-Kulturstiftung, Munich, Germany, and Hamburger Kunsthalle, Hamburg, Germany, 2008: 166–178.

Geuna, Elena. “Mark Rothko the Silence of Color.” in Rothko in Florence, edited by Christopher Rothko and Elena Geuna. Palazzo Strozzi, Florence, Italy, 2026: 41 – 53.

Greenhalgh, Adam. “Castaway: Mark Rothko on the Beach.” In Avery, Gottlieb & Rothko: By the Sea, edited by Eliza E. Rathbone Cape Ann Museum, Gloucester, Massachusetts, 2026: 113–135.

Hapkemeyer, Andreas. “The Perception of the Horizontal.” In The Perception of the Horizontal, edited by Andreas Hapkemeyer. Museion, Bolzano, Italy, 2005: 7-21.

Harrison, Charles. “Scenes and Details: A Rothko Sketchbook from the Late 1930s.” In Seeing Rothko, edited by Glenn Phillips and Thomas Crow. Los Angeles, CA, 2005: 179–199.

Hashimoto, Azusa. Rothko entry. In The 30th Anniversary: Collection of the National Museum of Art, edited by Atsuhiko Shima, Masahiro Yasugi, and Yuko Fujiyoshi. The National Museum of Art, Osaka, Japan, 2007.

Hayashi, Sumi. “Creation of an Intimate Place: Three Series of Murals.” In Mark Rothko, by David Anfam et al. Tokyo Shimbun, Tokyo, 1995: 44–57.

Hobbs, Robert Carleton. Rothko entry. In Abstract Expressionism: The Formative Years, by Robert Carleton Hobbs and Gail Levin. Herbert F. Johnson Museum of Art, Cornell University, Ithaca, NY, 1978: 116-121.

Hobbs, Robert Carlton. “Early Abstract Expressionism: A Concern with the Unknown Within.” In Robert Carlton Hobbs and Gail Levin, Abstract Expressionism: The Formative Years. The Herbert F. Johnson Museum of Art, Cornell University, Ithaca, New York, 1978: 8–26.

Hunter, Sam. “Surrealism in Transition: Paris and New York.” In The Surrealist Vision: Europe and the Americas, by Nancy Hall-Duncan and Sam Hunter. Bruce Museum of Arts and Science, Greenwich, CT, 1998: 35–60.

Israel, Ahuva. “Biographical Notes.” In Mark Rothko, edited by Mordechai Omer and Christopher Rothko. Tel Aviv Museum of Art, Tel Aviv, Israel, 2007: 91–108.

Jachec, Nancy. "Myth and the Audience: the Individual, the Collective and the Problem of Mass Communication by the Early 1950s." In American Abstract Expressionism, edited by David Thistlewood. Liverpool, 1993: 129–145.

Kaiser, Franz-W. “Biografie.” In Mark Rothko: Uit de collectie van de National Gallery of Art, Washington, by Franz-W. Kaiser et al. Gemeentemuseum Den Haag, The Hague, Netherlands, 2014: 9–33.

Kellein, Thomas. “Mark Rothko–Kaaba In New York.” In Mark Rothko: Kaaba in New York, edited by Thomas Kellein. Kunsthalle Basel, Basel, Switzerland, 1989: 31–47.

Kerrigan, Emily A. Rothko entry. In New Forms: The Avant-Garde Meets the American Scene, 1934-1949, edited by Kathleen A. Edwards. The University of Iowa Museum of Art, Iowa, IA, 2013: 45.

Kinghorn, George. “Images and Energy: Early Figures of the New York School.” In Image and Energy: Selections from the Haskell Collection, edited by George Kinghorn. Museum of Contemporary Art, Jacksonville, 2004: 11–23.

Koszinowski, Ingrid. “Colour – absolute, essential, analytical.” In Otto Ritschl, 1885–1976: Retrospektive by Ingrid Koszinowski. Museum Wiesbaden and Von der Heydt-Museum, Wuppertal, Germany, 1997.

Kremer, Gwendolin. Rothko entry. In Constable, Delacroix, Friedrich, Goya: Die Erschütterung der Sinn, edited by Ulrich Bischoff and Luc Tuymans. Galerie Neue Meister, Staatliche Kunstsammlungen Dresden, Dresden, Germany, 2013.

Kuspit, Donald. “From Vision to Dream: The Secularization of the Imagination.” In Dreams 1900 – 2000: Science, Art, and the Unconscious Mind, edited by Lynn Gamwell. Binghamton University Art Museum, Binghamton, NY, 2000: 77–88.

Lange, Christiane and Karin Koschkar. "Rothko in Deutschland." In Mark Rothko Retrospektive, by Hubertus Gassner et al. Kunsthalle der Hypo-Kulturstiftung, Munich, Germany, and Hamburger Kunsthalle, Hamburg, Germany, 2008: 186-193.

Lawrence, James. “The Watercolors 1941–1947.” In Mark Rothko: The Exhibitions at Pace by Arnold Glimcher. Pace Gallery, New York, 2019: 28–37.

Leder, Helmut. “Horizontality and the Psychology of Perception.” In The Perception of the Horizontal, edited by Andreas Hapkemeyer. Museion, Bolzano, Italy, 2005: 66-73.

M. Messinger, Lisa. Rothko entry. In Recent Acquisitions: A Selection, 1985-1986, by The Metropolitan Museum of Art. New York, 1986.

Mancusi-Ungaro, Carol. “Nuances of Surface in the Rothko Chapel Paintings.” In Mark Rothko: The Chapel Commission, by David Anfam and Carol Mancusi-Ungaro. Menil Collection, Houston, TX, 1996.

Mancusi-Ungaro, Carol. "The Rothko Chapel Paintings: A Personal Account." In Image of the Not-Seen: Search for Understanding, The Rothko Chapel Art Series, edited by K. C. Eynatten, Kate Hutchins, and Don Quaintance. Houston, TX, 2007: 79–87.

McCullagh, Suzanne Folds. “The Gecht Collection and the Chicago Tradition.” In Graphic Modernism: Selections from the Francey and Dr. Martin L. Gecht Collection at The Art Institute of Chicago, edited by Susan F. Rossen and Brandon Ruud. Art Institute of Chicago, Chicago, IL, 2003: vii–xi.

Nairne, Eleanor. “The Friction In Between.” In Mark Rothko, 1968: Clearing Away, by Christopher Rothko and Eleanor Nairne. Pace Gallery, London, 2021: 33–44.

The National Museum of Modern Art, Tokyo. Rothko entry. In Abstract Expressionism: Masterpieces from Japanese Collections. The National Museum of Modern Art, Tokyo, Tokyo, 1995.

Omer, Mordechai. “Cycles of Faith: Rothko, Kierkegaard, and the Sacrifice of Isaac.” In Mark Rothko, edited by Mordechai Omer and Christopher Rothko. Tel Aviv Museum of Art, Tel Aviv, Israel, 2007: 67–89.

Paul, Benjamin. Rothko entry. In Modern Art at Harvard, by Nihon Keizai Shimbun, Inc. Tokyo, 1999: 231-232.

Perry-Lehmann, Meira. Rothko entry. In On Paper, In Paper, With Paper: 100 Twentieth-Century Works from the Collection of the Israel Museum, Jerusalem, edited by Meira Perry-Lehmann. The Israel Museum, Jerusalem, Israel, 1990.

Pola, Francesca. Rothko entry. In Peggy Guggenheim e la Nuova Pittura Americana, by Luca Massimo Barbero. Arca, Chiesa di San Marco, Vercelli, 2008: 156-158.

Puizza, Claudia. “Chronology.” In Pagé, Suzanne, and Christopher Rothko, eds. Mark Rothko. Fondation Louis Vuitton, Paris, 2023: 257–272.

Rathbone, Eliza E. “Avery, Gottlieb & Rothko: A Close-Knit Trio.” In Avery, Gottlieb & Rothko: By the Sea, edited by Eliza E. Rathbone Cape Ann Museum, Gloucester, Massachusetts, 2026: 17–43.

Rathbone, Eliza E. “Mark Rothko: The Brown and Gray Paintings.” In American Art at Mid-Century: The Subjects of the Artist, by E.A. Carmean, Jr. et al. National Gallery of Art, Washington, 1978: 242–269.

Rose, Barbara. “Miró in America. In Miró in America by Barbara Rose. Museum of Fine Arts, Houston, 1982: 5–45.

Rosenblum, Robert. “Horizons.” In The Perception of the Horizontal, edited by Andreas Hapkemeyer. Museion, Bolzano, Italy, 2005: 22–28.

Rosenblum, Robert. “The Surrealist Years.” In Mark Rothko: The Exhibitions at Pace by Arnold Glimcher. Pace Gallery, New York, 2019: 21–27.

Rosenthal, Mark. “La riscoperta del sé e ulteriori sviluppi.” In Action Painting, Arte Americana 1940–1970: dal Disegno all'Opera, edited by Luca Massimo Barbero. Foro Boario di Modena, Italy, 2004: 15–43.

Rothko, Christopher. “Avery, Gottlieb & Rothko: Philosophy & Friendship.” In Avery, Gottlieb & Rothko: By the Sea, edited by Eliza E. Rathbone Cape Ann Museum, Gloucester, Massachusetts, 2026: 177–185.

Rothko, Christopher. “Introduction.” In The Artist’s Reality: Philosophies of Art, by Mark Rothko. New Haven, CT, 2004: xi–xxxi.

Rothko, Christopher. “Introduzione.” In L’Artista e la sua realtà: Filosofie de l’arte. Translated by Riccardo Venturi. Milan, 2007: 11–38.

Rothko, Christopher. “Mark Rothko and the Quiet Dominance of Form.” In Coming to Light: Avery, Gottlieb, Rothko: Provincetown Summers, 1957–1961, edited by E. A. Carmean, Jr. Knoedler & Company, New York, 2002: 18–19.

Rothko, Christopher. “Mark Rothko and the Quiet Dominance of Form.” In Mark Rothko, edited by Mordechai Omer and Christopher Rothko. Tel Aviv Museum of Art, Tel Aviv, Israel, 2007: 11–27.

Rothko, Christopher. “Rothko in Florence. Rothko in Rome. Stone, Space, and Spirit.” in Rothko in Florence, edited by Christopher Rothko and Elena Geuna. Palazzo Strozzi, Florence, Italy, 2026: 15 – 39.

Rothko, Christopher. “Rothko’s Novels.” In Mark Rothko, 1968: Clearing Away, by Christopher Rothko and Eleanor Nairne. Pace Gallery, London, 2021: 7–9.

Rothko, Christopher. “The Experience Behind the Icon.” In Mark Rothko by Kate Rothko Prizel, Christopher Rothko, Alexander Nemerov, et al. New York, 2022: 9–30.

Sandler, Irving. "Mark Rothko's Painting: Tranquility Tinged with Terror.” In Mark Rothko: Into an Unknown World, 1949– 1969, by Irving Sandler and Andrei Tolstoy. Garage Center for Contemporary Culture, Moscow, 2010: 26-38.

Schildkraut, Joseph J., Alissa J. Hirshfeld, and Jane M. Murphy. “Depressive Disorders, Spirituality and Early Dealths in the Abstract Expressionist Artists of the New York School.” In Depression and the Spiritual in Modern Art: Homage to Miró, edited by Joseph J. Schildkraut and Aurora Otero. New York, 1996: 196–220.

Schimmel, Paul. “Images of Metamorphosis.” In The Interpretive Link: Abstract Surrealism into Abstract Expressionism, Works on Paper, 1938–1948, by Paul Schimmel and Lawrence Alloway. Newport Harbor Art Museum, Newport Beach, CA, 1986: 17–28.

Schüppel, Katharina Christa. “From Myth to Abstraction. Mark Rothko and the New York School 1945-1970.” In Rothko / Giotto, edited by Stefan Weppelmann and Gerhard Wolf. Gemäldegalerie, Staatliche Museen zu Berlin, Berlin, 2009: 89–118.

Sharp, Jasper. "Den ganzen Himmel malen." In Bilder Träume: Die Sammlung Ulla und Heiner Pietzsch, by Udo Kittelmann et al. Neue Nationalgalerie Berlin, Staatliche Museen Preussischer Kulturbesitz, Berlin, 2009: 57-61.

Sharp, Jasper. “Die Augenzeugin und die Sammler: Zwei Sammlungen auf der Spur des Abstrakten Expressionismus.” In Affinities: Werke der Peggy Guggenheim Collection und der Sammlung Ulla und Heiner Pietzsch, by Jasper Sharp, Henrike Schulte, and Folker Skulima. Solomon R. Guggenheim Foundation, New York, 2006: 123-139.

Sharp, Jasper. Rothko entry. In Verrückte Liebe: Von Dalí bis Francis Bacon: Surreale Kunst aus der Sammlung Ulla und Heiner Pietzsch, by Evelyn Benesch. BA-CA Kunstforum, Wien, Vienna, 2006: 176.

Sharp, Jasper. “The Eyewitness and the Connoisseurs: Two Collections Trace Abstract Expressionism.” In Affinities: Werke der Peggy Guggenheim Collection und der Sammlung Ulla und Heiner Pietzsch, by Jasper Sharp, Henrike Schulte, and Folker Skulima. Solomon R. Guggenheim Foundation, New York, 2006: 122-139.

Stenger, Jens. “Mark Rothko’s Mural Sketches: Scientific Analysis.” In Mark Rothko’s Mural Sketches: Materials and Use / Scientific Analysis, by Annie Wilker and Jens Stenger. Cambridge, MA, 2009.

Stewart, Jessica. “Biografie.” In Mark Rothko Retrospektive, by Hubertus Gassner et al. Kunsthalle der Hypo-Kulturstiftung, Munich, Germany, and Hamburger Kunsthalle, Hamburg, Germany, 2008: 196–206.

Stewart, Jessica. “Chronologie.” In Mark Rothko, by Jeffrey Weiss et al. Musée d'art moderne de la ville de Paris, Paris, 1999: 251–274.

Stewart, Jessica. “Chronology.” In Mark Rothko, by Oliver Wick et al. Fondation Beyeler, Basel, Switzerland, 2001: 185–193.

Stewart, Jessica. “Chronology.” In Mark Rothko, edited by Jeffrey Weiss. National Gallery of Art, Washington, 1998: 331–352.

Stewart, Jessica. "Chronology." In Mark Rothko, edited by Oliver Wick. Palazzo delle Esposizioni, Rome, 2007: 211–220.

Stewart, Jessica. Rothko entry. In A Century of Drawing: Works on Paper from Degas to LeWitt, edited by Judith Brodie and Andrew Robison. National Gallery of Art, Washington, 2001.

Stichweh, Kalus. Rothko entry. In Ein Geschenk ... Die Sammlung Sprengel, edited by Angela Kriesel. Sprengel Museum, Hanover, Germany and Göttingen, Germany, 2010: 120–121.

Terenzi, Claudia. “Rothko: Exhibitions and Critical Reception in Italy.” In Mark Rothko, edited by Oliver Wick. Palazzo delle esposizioni, Rome, 2007: 57–69.

Tuchman, Maurice. “Hidden Meanings in Abstract Art.” In Maurice Tuchman, Jodi Freeman, Carel Blotkamp, et al. The Spiritual in Art: Abstract Painting 1890–1985. Los Angeles County Museum of Art, Los Angeles, CA, 1986.

Venturi, Riccardo. “‘It Lives and Breathes’: Depicting Human Drama.” In Pagé, Suzanne, and Christopher Rothko, eds. Mark Rothko. Fondation Louis Vuitton, Paris, 2023: 43–55.

Walsh, Judith. “Drawn to Tradition: Artists’ Paper through the Twentieth Century.” In A Century of Drawing: Works on Paper from Degas to LeWitt, edited by Judith Brodie and Andrew Robison. National Gallery of Art, Washington, 2001: 303–313.

Weiss, Jeffrey. “Dis-Orientation: Rothko’s Inverted Canvases.” In Seeing Rothko, edited by Glenn Phillips and Thomas Crow. Los Angeles, CA, 2005: 135–157.

Weiss, Jeffrey. “L’espace inconnu de Rothko.” In Mark Rothko, by Jeffrey Weiss et al. Musée d’art moderne de la ville de Paris, Paris, 1999: 59–74.

Weiss, Jeffrey. “Rothko’s Unknown Space.” In Mark Rothko, edited by Jeffrey Weiss. National Gallery of Art, Washington, 1998: 302–329.

Weiss, Jeffrey. “Submón.” In Mark Rothko, by Oliver Wick et al. Fundació Joan Miró, Barcelona, Spain, 2000: 25–30.

Weiss, Jeffrey. “Weights and Measures.” In Pagé, Suzanne, and Christopher Rothko, eds. Mark Rothko. Fondation Louis Vuitton, Paris, 2023: 239–243.

Weppelmann, Stefan. “Giotto’s Rumblings: Mark Rothko and the Renaissance as a Rhetoric of Modernism.” In Rothko / Giotto, edited by Stefan Weppelmann and Gerhard Wolf. Gemäldegalerie, Staatliche Museen zu Berlin, Berlin, 2009: 41–66.

Wick, Oliver. “Do They Negate Each Other, Modern and Classical? Mark Rothko, Italy, and the Yearning for Tradition.” In Mark Rothko, edited by Oliver Wick. Palazzo delle esposizioni, Rome, 2007: 5–25.

Wick, Oliver. “Do They Negate Each Other, Modern and Classical? Mark Rothko und die Sehnsucht nach Tradition.” In Mark Rothko Retrospektive, by Hubertus Gassner et al. Kunsthalle der Hypo-Kulturstiftung, Munich, Germany, and Hamburger Kunsthalle, Hamburg, Germany, 2008: 12–28.

Wick, Oliver. "Mark Rothko: A Consummated Experience Between Picture and Onlooker." In Mark Rothko, by Oliver Wick et al. Fondation Beyeler, Basel, Switzerland, 2001: 23–35.

Wick, Oliver. “Mark Rothko and Barnett Newman: The Sublime Is Now!” In Mark Rothko and Barnett Newman, edited by Oliver Wick. Fondation Beyeler, Basel, Switzerland, 2007: 5–9.

Wick, Oliver. "Mark Rothko: Blindsehen oder Zeichnung als kommemorierte Erinnerung," in Mark Rothko: Works on Paper, 1930–1969, edited by Oliver Wick. Galerie Beyeler, Basel, Switzerland, 2005: 6–30.

Wick, Oliver. "Mark Rothko: Seeing Blind and Drawing as Remembrance Commemorated," in Mark Rothko: Works on Paper, 1930–1969, edited by Oliver Wick. Galerie Beyeler, Basel, Switzerland, 2005: 7–30.

Wick, Oliver. “Mark Rothko. Una Experiència Consumada Entre el Quadre I L’Observador.” In Mark Rothko, by Oliver Wick et al. Fundació Joan Miró, Barcelona, Spain, 2000: 13-23.

Wilker, Annie. “Mark Rothko’s Mural Sketches: Materials and Use.” In Mark Rothko’s Mural Sketches: Materials and Use / Scientific Analysis, by Annie Wilker and Jens Stenger. Cambridge, MA, 2009.

Zamoiski, Clair. “Chronology.” In Mark Rothko, 1903–1970: A Retrospective, by Diane Waldman. Solomon R. Guggenheim Museum, New York, 1978: 265–279.

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National Gallery of Art

Mark Rothko: Works on Paper will ultimately document approximately 2,600 works from public and private collections worldwide. Cataloging is ongoing, and works and information will be added to the site during the coming years.

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