[Untitled]
![[Untitled]](https://rothko.whirl-i-gig.com/media/collectiveaccess/images/6/6/34381_ca_object_representations_media_6646_large.jpg)
Date
Support
Watermark
Schoellers (impressed mark): Schoellers Parole Flax
Dimensions
78 1/2 x 58 9/16 in. (199.4 x 148.7 cm)
Estate/Inventory Number
2042.69
Catalog Number
IMAGE.2084
Collection
Private Collection, Netherlands. © Kate Rothko Prizel and Christopher Rothko
Photography Credit
Photo: Nathan Keay, © Museum of Contemporary Art Chicago
Provenance
Private Collection, Netherlands, 2018
Exhibitions
Mark Rothko 1903–1970, Tate Gallery, June 17 – September 1, 1987, cat. 90, as Untitled.
Mark Rothko, Fundación Juan March, September 23, 1987 – January 3, 1988, cat. 51, as Sin Título.
Mark Rothko, Museum Ludwig, January 30 – March 27, 1988, cat. 65, as Ohne Titel.
In the Shadow of Storms: Art of the Postwar Era, Museum of Contemporary Art Chicago, July 2, 1996 – May 25, 1997.
Mark Rothko: The Chapel Commission, The Menil Collection, December 13, 1996 – March 30, 1997, as Untitled.
Lisbon World Exposition, Utopia Pavilion, May 22 – September 30, 1998, as Untitled.
MCA DNA: New York School , Museum of Contemporary Art Chicago, June 9 – September 9, 2012.
Mark Rothko, Fundación Juan March, September 23, 1987 – January 3, 1988, cat. 51, as Sin Título.
Mark Rothko, Museum Ludwig, January 30 – March 27, 1988, cat. 65, as Ohne Titel.
In the Shadow of Storms: Art of the Postwar Era, Museum of Contemporary Art Chicago, July 2, 1996 – May 25, 1997.
Mark Rothko: The Chapel Commission, The Menil Collection, December 13, 1996 – March 30, 1997, as Untitled.
Lisbon World Exposition, Utopia Pavilion, May 22 – September 30, 1998, as Untitled.
MCA DNA: New York School , Museum of Contemporary Art Chicago, June 9 – September 9, 2012.
References
Tate Gallery. Mark Rothko, 1903–1970. London, 1987: 188, cat. 90 (color) [reproduced upside down] .
Compton, Michael, ed. Mark Rothko. Fundación Juan March, Madrid, Spain, 1987: n.p., cat. 51 (color) [reproduced upside down].
Weiss, Evelyn, ed. Mark Rothko, 1903–1970. Museum Ludwig, Cologne, Germany, 1988: cat. 65 (color) [reproduced upside down].
Museum of Contemporary Art, Chicago. Collective Vision: Creating a Contemporary Art Museum. Chicago, 1996: 104, 105 (color) [reproduced upside down].
Anfam, David. “Dark Illumination: The Context of the Rothko Chapel.” In Mark Rothko: The Chapel Commission, by David Anfam and Carol Mancusi-Ungaro. The Menil Collection, Houston, TX, 1996: 13, 32.
Anfam, David, and Carol Mancusi-Ungaro. Mark Rothko: The Chapel Commission. The Menil Collection, Houston, TX, 1996: 13, 32.
Anfam, David. “El arte de Mark Rothko: simplificando el pensamiento complejo.” Kalias 10, no. 19–20 (1998): 119 (b/w) [reproduced upside down].
Coelho, Eduardo Prado. “Situations of the Infinite.” In Utopia Pavilion: 1998 Lisbon World Exposition. Lisbon, 1998: 81 (color).
Utopia Pavilion: 1998 Lisbon World Exposition. Lisbon, 1998: 81 (color).
Compton, Michael, ed. Mark Rothko. Fundación Juan March, Madrid, Spain, 1987: n.p., cat. 51 (color) [reproduced upside down].
Weiss, Evelyn, ed. Mark Rothko, 1903–1970. Museum Ludwig, Cologne, Germany, 1988: cat. 65 (color) [reproduced upside down].
Museum of Contemporary Art, Chicago. Collective Vision: Creating a Contemporary Art Museum. Chicago, 1996: 104, 105 (color) [reproduced upside down].
Anfam, David. “Dark Illumination: The Context of the Rothko Chapel.” In Mark Rothko: The Chapel Commission, by David Anfam and Carol Mancusi-Ungaro. The Menil Collection, Houston, TX, 1996: 13, 32.
Anfam, David, and Carol Mancusi-Ungaro. Mark Rothko: The Chapel Commission. The Menil Collection, Houston, TX, 1996: 13, 32.
Anfam, David. “El arte de Mark Rothko: simplificando el pensamiento complejo.” Kalias 10, no. 19–20 (1998): 119 (b/w) [reproduced upside down].
Coelho, Eduardo Prado. “Situations of the Infinite.” In Utopia Pavilion: 1998 Lisbon World Exposition. Lisbon, 1998: 81 (color).
Utopia Pavilion: 1998 Lisbon World Exposition. Lisbon, 1998: 81 (color).
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