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David Acton
Daniel Abadie
Sigrid Achenbach
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Dawn Ades
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Ernst Beyeler
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Carel Blotkamp
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Manuel J. Borja-Villel
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E.A. Carmean, Jr.
Flavio Caroli
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Riva Castleman
Danielle Gaudry Cazeau
Cathleen Chaffee
Kermit Champa
Mary Chan
Anna C. Chave
Jean-François Chevrier
Rudy Chiappini
Hermine Chivian-Cobb
Moojeong Chung
Bonnie Clearwater
Anne Cohen DePietro
Marjorie B. Cohn
Bradford R. Collins
Michael Compton
Harry Cooper
Olivier Cousinou
Jeffrey Coven
Elizabeth Cowling
Larry Curry
Anke Daemgen
Janina K. Darling
Bruce Davis
Almudena Ros de Barbero
James T. Demetrion
Bruce H. Dempsey
Isabelle Dervaux
Maria Didrichsen
Jane Dillenberger
John Dillenberger
Alexander Dückers
Shana Dumont
Kathleen A. Edwards
Nancy Einreinhofer
John Elderfield
Dietmar Elger
Jeremiah Evarts
Susan C. Faxon
Morton Feldman
Linda S. Ferber
Ruth Fine
James L. Fisher
Jack D. Flam
Carter E. Foster
Fernando Francés
Marco Franciolli
Pamela Franks
Jodi Freeman
Yuko Fujiyoshi
Johannes Gachnang
Paulette Gagnon
Barbara Dayer Gallati
Lynn Gamwell
Nicolas Sainte-Fare Garnot
Gary Garrels
Hubertus Gassner
Karel J. Geirlandt
Henry Geldzahler
Elena Geuna
Danièle Giraudy
Arnold Glimcher
Marc Glimcher
Krystyna Gmurzynska
Pamela Golbin
Robert Goldwater
Elayne C. Goossen
Terree Grabenhorst-Randall
Margaret Morgan Grasselli
Alison de Lima Greene
Adam Greenhalgh
William Griswold
Jeffrey D. Grove
Peggy Guggenheim
Serge Guilbaut
Sabine Haag
Mona Hadler
Nancy Hall-Duncan
Andreas Hapkemeyer
Jürgen Harten
Barbara Haskell
Jodi Hauptman
Sumi Hayashi
Natasha Hebert
Thomas B. Hess
Nobuyuki Hiromoto
Robert Carlton Hobbs
Joachim Homann
Walter Hopps
Sam Hunter
William Jeffett
Caroline A. Jones
Leslie Jones
Franz-W. Kaiser
Avram Kampf
Paul J. Karlstrom
Thomas Kellein
Klaus Kertess
George Kinghorn
Udo Kittelmann
Ingrid Koszinowski
Rosalind Krauss
Christiane Lange
James Lawrence
Susan Laxton
Sylvie Lecoq-Ramond
Michael Leja
Gail Levin
William S. Lieberman
Nannette V. Maciejunes
Carol Mancusi-Ungaro
Peter C. Marizo
Mary Fuller McChesney
Robert McDaniel
DeCourcy E. McIntosh
Thomas M. Messer
Lisa Mintz Messinger
Peter Morrin
Markus Müller
Eleanor Nairne
Kazuo Nakabayashi
Terry Ann R. Neff
Brian O'Doherty
Mordechai Omer
Marta González Orbegozo
Janice C. Oresman
Suzanne Pagé
Regina Palm
Ida Panicelli
Gilbert Perlein
Franklin Hill Perrell
Meira Perry-Lehmann
Michael Philipp
Charles E. Pierce
Élia Pijollet
Marla Price
Neil Printz
Yolande Racine
Sally Radic
Harry Rand
Eliza E. Rathbone
Jock Reynolds
Charles A. Riley II
Bryan Robertson
Andrew Robison
Timothy Robert Rodgers
Conchita Romero
Georges Roque
Barbara Rose
Bernice Rose
Robert Rosenblum
Michael Rosenfeld
Susan F. Rossen
Christopher Rothko
Willy Rotzler
Brandon Ruud
Philip Rylands
Irving Sandler
Vincenzo Sanfo
Martica Sawin
Jürgen Schilling
Paul Schimmel
Katharina Schmidt
Marianne Schmidt
Wieland Schmied
Dieter Scholz
Henrike Schulte
Oliver Schultz
Constance Schwartz
Dieter Schwarz
Cyrille Sciama
Naoko Seki
Carol O. Selle
Peter Selz
Francisco Calvo Serraller
Anne Seymour
Jasper Sharp
Richard Shiff
Atsuhiko Shima
Hideaki Shimamoto
Patterson Sims
Folker Skulima
Jill Snyder
Joseph Solman
Phinizy Spalding
Theodore E. Stebbins, Jr.
Chris Stephens
Miriam Stewart
David Sylvester
Jacques Taddei
Ann Temkin
Judith Tolnick
Andrei Tolstoy
William Trayes
Maurice Tuchman
Luc Tuymans
Katharina Uhl
Utopia Pavilion
Rafael Valentín López Flores
Henk van Os
Philip Vann
Elayne H. Varian
Monique Verken
Nancy Versaci
Axel Vervoordt
Felipe Vicente Garín Llombart
Lisa Vihos
Emilio Villa
Jerome Viola
Anne-Marie Vischer-Wadler
Ernst Vischer-Wadler
Diane Waldman
Jeffrey Wechsler
Edward F. Weeks
Evelyn Weiss
Jeffrey Weiss
Stefan Weppelmann
Anna Wesle
Ortrud Westheider
Oliver Wick
Karen Wilkin
John Wilmerding
Gerhard Wolf
Townsend Wolfe
Hyesoo Woo
Amy N. Worthen
Fredrick S. Wright
Virginia Wright
Masahiro Yasugi
Shimbata Yasuhide
Eric Zafran
Pascale Zoller
Joost Zwagerman
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339 References

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25 Anni di Pittura Americana 1933–1958. Permanente Gallery, Milan, 1960.

60 Works: The Peggy Guggenheim Collection. The Solomon R. Guggenheim Museum, New York, 1982.

Abadie, Daniel. Un Art Autre, Un Autre Art. Centre d’Art Plastique Contemporain, Paris, 1984.

Abstract Expressionism: Works from the Collection of the Whitney Museum of American Art. Miami-Dade Community College, South Campus, Miami, FL, 1976.

Acquavella Galleries, Inc. XIX & XX Century Master Paintings and Sculptures: An Exhibition. New York, 2004.

Acton, David, ed. The Stamp of Impulse: Abstract Expressionist Prints. Worcester Art Museum, Worcester, MA, 2001.

Adams, Henry, ed. American Drawings and Watercolors in the Museum of Art, Carnegie Institute. Carnegie Institute, Pittsburgh, PA, 1985.

Ades, Dawn, Elizabeth Cowling, and David Sylvester. Dada and Surrealism Reviewed. Hayward Gallery, London, 1978.

Adlow, Dorothy. Moderne Amerikanische Måleri: 1932–1958. Göteborgs Konstmuseum and Göteborgs Konsthall, Gothenburg, Sweden, 1960.

Alarcó, Paloma, and Jacques Taddei. Monet et l’abstraction. Musée Marmottan Monet, Paris, 2010.

Alarcó, Paloma, and Michael Leja. Monet y la abstracción. Museo Thyssen-Bornemisza, Madrid, 2010.

Aldrich Museum of Contemporary Art. Mysterious and Magical Realism. Ridgefield, CT, 1980.

Alfieri, Bruno, and Peggy Guggenheim. La collezione Peggy Guggenheim. Venice, 1948.

Amherst College, Mead Art Building. Color Painting: A Special Loan Exhibition. Amherst, MA, 1972.

Ammann, Jean-Christophe. “Ein fiktives Museum für eine fabelhafte Sammlung.” In A Selection from the Daros Collection, edited by Walter Soppelsa. Zurich, Switzerland, 2012: 15–20.

Anfam, David. Abstract Expressionism — A World Elsewhere. Haunch of Venison, New York, 2008.

Anfam, David, and Carol Mancusi-Ungaro. Mark Rothko: The Chapel Commission. The Menil Collection, Houston, TX, 1996.

Anfam, David, and Danielle Gaudry Cazeau. Mark Rothko and William Scott: Continuing the Dialogue. Anita Rogers Gallery, New York, 2023.

Anfam, David, ed. Abstract Expressionism. Royal Academy of Arts, London, 2016.

Anfam, David, Nobuyuki Hiromoto, Sumi Hayashi, and Naoko Seki. Mark Rothko. Tokyo Shimbun, Tokyo, 1995.

Art du xxe siècle: Fondation Peggy Guggenheim, Venise. Orangerie des Tuileries, Paris, 1974.

Art Gallery of Western Australia. America and Europe: A Century of Modern Masters from the Thyssen-Bornemisza Collection. Perth, Australia, 1979.

Artium, Centro-Museo Vasco de Arte Contemporáneo. La obra maestra desconocida: Basado en el relato "Le chef-d'oeuvre inconnu" de Honoré de Balzac, 1831–2006, 175 aniversario. Vitoria-Gasteiz, Spain, 2006.

Ashton, Dore. À rebours: La rebelión informalista [1939–1968]. Centro atlántico de arte moderno, Las Palmas de Gran Canaria, Spain, and Museo nacional centro de arte Reina Sofía, Madrid, 1999.

Ashton, Dore. Mark Rothko. State Hermitage Museum, St. Petersburg, Russia, 2003.

Bannard, Walter Darby. Paintings of the 50s: Another Look. Duke University Museum of Art, Durham, NC, 1983.

Barbero, Luca Massimo. Action Painting, American Art 1940-1970: From the Sketch to the Canvas. Foro Boario di Modena, Italy, 2004.

Barbero, Luca Massimo. Da Kandinsky a Pollock: La Grande Arte dei Guggenheim. Palazzo Strozzi, Florence, 2016.

Barbero, Luca Massimo. Peggy Guggenheim e la Nuova Pittura Americana. Arca, Chiesa di San Marco, Vercelli, 2008.

Barbero, Luca Massimo. Temi & Variazioni: l'impero della luce, con un omaggio a Fausto Melotti. Peggy Guggenheim Collection, Venice, 2014.

Baum, Kelly, ed. Rothko to Richter: Mark-Making in Abstract Painting from the Collection of Preston H. Haskell. Princeton University Art Museum, Princeton, NJ, 2014.

Baumann, Felix Andreas, ed. Mark Rothko. Musée National d’Art Moderne, Paris, 1972.

Baumann, Felix Andreas, ed. Mark Rothko. Nationalgalerie, Staatliche Museen Preußischer Kulturbesitz, Neuer Berliner Kunstverein, Berlin, 1971.

Baumann, Felix Andreas, ed. Mark Rothko. Städtische Kunsthalle, Düsseldorf, Germany, 1971.

Baumann, Felix Andreas. Mark Rothko. Kunsthaus Zürich, Zurich, Switzerland, 1971.

Baumann, Felix Andreas. Mark Rothko. Museum Boymans-van Beuningen, Rotterdam, Netherlands, 1971.

Baur, John I. H. A Mirror of Creation: 150 Years of American Nature Painting. New York, 1980.

Benesch, Evelyn. Verrückte Liebe: Von Dalí bis Francis Bacon: Surreale Kunst aus der Sammlung Ulla und Heiner Pietzsch. BA-CA Kunstforum, Wien, Vienna, 2006.

Benezra, Neal David, Michae Auping, and Gary Garrels. Celebrating Modern Art: the Anderson Collection. San Francisco Museum of Modern Art, San Francisco, CA, 2000.

Beyeler, Ernst. "Foreword." In Mark Rothko: Works on Paper, 1930–1969, by Oliver Wick. Galerie Beyeler, Basel, Switzerland, 2005: 4–5.

Bischoff, Ulrich, and Luc Tuymans, eds. Constable, Delacroix, Friedrich, Goya: Die Erschütterung der Sinn. Galerie Neue Meister, Staatliche Kunstsammlungen Dresden, Dresden, Germany, 2013.

Bondil, Nathalie, and Marie-Josée Arcand. All for Art!: In Conversation with Collectors / Pour l'art!: paroles de collectionneurs. The Montréal Museum of Fine Arts, Montréal, Canada, 2007.

Borchardt-Hume, Achim, ed. Rothko: The Late Series. Tate Modern, London, 2008.

Braff, Phyllis. The Surrealists and their Friends on Eastern Long Island at Mid-Century. Guild Hall Museum, East Hampton, NY, 1996.

Brodie, Judith, and Andrew Robison, eds. A Century of Drawing: Works on Paper from Degas to LeWitt. National Gallery of Art, Washington, 2001.

Brooklyn Museum. International Watercolor Exhibition: Fourteenth Biennial. New York, 1947.

Brooklyn Museum. The Eighth Biennial Exhibition of Water Colors, Pastels and Drawings by American and Foreign Artists. New York, 1935.

Brüderlin, Markus, ed. The Art of Deceleration: Motion and Rest in Art from Caspar David Friedrich to Ai Weiwei. Kunstmuseum Wolfsburg, Wolfsburg, Germany, 2011.

Bruce, Chris, and Virginia Wright. The Artist's Hand: American Works on Paper, 1945–1975, from the Washington Art Consortium Collection. Museum of Art, Washington State University, Pullman, WA, 2012.

Bucarelli, Palma. Mark Rothko. Galleria Nazionale d'Arte Moderna, Rome, 1962.

Byrnes, James B., ed. Mark Rothko: Ten Major Works. Newport Harbor Art Museum, Newport Beach, CA, 1974.

Calvo Serraller, Francisco. El Expresionismo Abstracto Americano en las Colecciones Españolas. Museo de Arte Contemporáneo Esteban Vicente, Segovia, Spain, 2003.

Capolavori del Guggenheim: Il grande collezionismo da Renoir a Warhol. Scuderie del Quirinale, Rome, 2005.

Carmean, E. A., Jr., ed. Coming to Light: Avery, Gottlieb, Rothko: Provincetown Summers, 1957–1961. Knoedler & Company, New York, 2002.

Carmean, E. A., Jr., Eliza E. Rathbone, and Thomas Hess. American Art at Mid-Century: The Subjects of the Artist. National Gallery of Art, Washington, 1978.

Carmean, E. A., Jr., Marla Price, and James L. Fisher. Selected Works from the American Collection: 1940 to the Present. Modern Art Museum of Fort Worth, Fort Worth, TX, 1988.

Caroli, Flavio. Europa-America: l’astrazione determinata 1960-1976. Galleria d'Arte Moderna, Bologna, Italy, 1976.

Castleman, Riva. Art of the Forties. The Museum of Modern Art, New York, 1991.

Centre International d'Expèrimentation Artistique Marie-Louise Jeanneret. Astrattismo e Pop Art. Boissano, Italy, 1974.

Centro atlántico de arte moderno. El surrealismo entre Viejo y Nuevo Mundo. Las Palmas de Gran Canaria, Spain, 1989.

Chan, Mary, Kathleen Curry and Christina Houstian. A Century of American Drawing: From the Collection. The Museum of Modern Art, New York, 1996.

Chave, Anna. Mark Rothko: Subjects. High Museum of Art, Atlanta, GA, 1983.

Chevrier, Jean-François, and Élia Pijollet. Formas biográficas: Construcción y mitología individual. Museo Nacional Centro de Arte Reina Sofía, Madrid, 2013.

Chiappini, Rudy. Passioni d'Arte - da Picasso a Warhol Capolavori del Collezionismo in Ticino. Museo d'Arte Moderna, Città di Lugano, Lugano, Switzerland, 2002.

Chivian-Cobb, Hermine. Ink Drawings, 1890–1986. Janie C. Lee Master Drawings, Houston, TX, 1987.

Clearwater, Bonnie. Mark Rothko: Seven Paintings from the 1960s. Walker Art Center, Minneapolis, MN, 1983.

Clearwater, Bonnie. Mark Rothko: Works on Paper. American Federation of Arts, New York, 1984.

Cleveland Museum of Art. Cleveland Collects Contemporary Art. Cleveland, OH, 1972.

Cohen DePietro, Anne, ed. Shaping a Generation: The Art and Artists of Betty Parsons. Heckscher Museum of Art, Huntington, NY, 1999.

Cohn, Marjorie B., ed. Mark Rothko’s Harvard Murals. Cambridge, MA, 1988.

Collins, Bradford R., ed. Mark Rothko: The Decisive Decade, 1940–1950. Columbia Museum of Art, Columbia, SC, 2012.

Compton, Michael, ed. Mark Rothko. Fundación Juan March, Madrid, Spain, 1987.

Compton, Michael. Mark Rothko: The Seagram Mural Project. Tate Gallery Liverpool, Liverpool, UK, 1988.

Cousinou, Olivier. Rothko entry. In Musée Cantini: Acquisitions Récentes, 1989-2004, edited by Danièle Giraudy. Musée Cantini, Marseille, France, 2004.

Coven, Jeffrey. Baudelaire's Voyages: The Poet and His Painters. The Heckscher Museum, Huntington, NY, 1993.

Cummings, Paul. Twentieth-Century American Drawings: The Figure in Context. International Exhibitions Foundation, Washington, 1984.

Curry, Larry. John Marin, 1870–1953: A centennial exhibition organized by the Los Angeles County Museum of Art. Los Angeles County Museum of Art, Los Angeles, CA, 1970.

Darling, Janina K. Margaret Rinkovsky: The “Odyssey Landscapes” Reconsidered. Art Museum of Santa Cruz County, Santa Cruz, CA, 1995.

Davis, Bruce. Master Drawings in the Los Angeles County Museum of Art. Los Angeles County Museum of Art, Los Angeles, CA, 1997.

Demetrion, James T. Selections from the Collection of Marion and Gustave Ring. Hirshhorn Museum and Sculpture Garden, Washington, 1985.

Dempsey, Bruce H. Abstract Expressionism: The Haskell Collection. Cummer Gallery of Art, Jacksonville, FL, 1992.

Dervaux, Isabelle, and Joseph Solman. The Ten: Birth of the American Avant-Garde. Mercury Gallery, Boston, 1998.

Dickinson Roundell, Inc. 19th and 20th Century Works on Paper. New York, 2000.

Didrichsen, Maria. Didrichsenin taidemuseo. Didrichsen Art Museum, Helsinki, Finland, 2010.

Dillenberger, Jane, and John Dillenberger. Perceptions of the Spirit in Twentieth-Century American Art. Indianapolis Museum of Art, Indianapolis, IN, 1977.

The Disappearance and Reappearance of the Image: American Painting Since 1945. Smithsonian Institution, Washington, DC, 1968.

Dückers, Alexander, et al. Linie, Licht und Schatten, Meisterzeichnungen und Skulpturen der Sammlung Jan und Marie-Anne Krugier-Poniatowski. Kupferstichkabinett, Staatliche Museen zu Berlin, Berlin, 1999.

Dumont, Shana, and William Trayes. Enlightened View: Artists Teaching on Cape Ann. Montserrat College of Art Gallery, Beverly, MA, 2006.

Edwards, Kathleen A., ed. New Forms: The Avant-Garde Meets the American Scene, 1934-1949. The University of Iowa Museum of Art, Iowa City, IA, 2013.

Einreinhofer, Nancy. The Legacy of Surrealism in Contemporary Art. Ben Shahn Galleries, William Patterson College, Wayne, NJ, 1988.

Elderfield, John. The Modern Drawing: 100 Works on Paper from The Museum of Modern Art. Museum of Modern Art, New York, 1983.

Elger, Dietmar, et al. The Abstraction of Landscape: From Northern Romanticism to Abstract Expressionism. Fundación Juan March, Madrid, 2007.

Evarts, Jeremiah. A Passion for Collecting: Modern Works from the Pérez Simón Collection. Di Donna Galleries, New York, NY, 2018.

Faxon, Susan C. On Paper: Masterworks from the Addison Collection. Addison Gallery of American Art, Phillips Academy, Andover, MA, 2004.

Feldman, Morton. Six Painters: Mondrian, Guston, Kline, De Kooning, Pollock, Rothko. University of St. Thomas Art Department, Houston, TX, 1967.

Ferber, Linda S., and Barbara Dayer Gallati. Masters of Color and Light: Homer, Sargent, and the American Watercolor Movement. Brooklyn Museum of Art, New York, 1998.

Fine, Ruth, and Teresa Arcq. El arte de Mark Rothko: Selección de la Galería Nacional de Arte de Washington. Museo de arte moderno, Mexico City, 2005.

Fine, Ruth, Hyesoo Woo, and Moojeong Chung. The Art of Mark Rothko: Selections from the National Gallery of Art, Washington. Leeum, Samsung Museum of Art, Seoul, 2006.

Flam, Jack D, Carol O. Selle, Charles E. Pierce, and William Griswold. New York Collects: Drawings and Watercolors 1900–1950. Pierpont Morgan Library, New York, 1999.

Foster, Carter E., Jeffrey D. Grove, Patrick Shaw Cable, and Cathleen Chaffee. Drawing Modern: Works from the Agnes Gund Collection. Cleveland Museum of Art, Cleveland, OH, 2003.

Francés, Fernando. Encuentros: diálogos de complicidad en la pintura internacional. Sala de Exposiciones del Palacio Episcopal, Málaga, Spain, 2001.

Franciolli, Marco. Da Kandinsky a Pollock: la vertigine della non-forma. Museo Cantonale d'Arte, Lugano, Swizerland, 2001.

Frank, Susan Behrends. American Art 1850–1960: Capolavori dalla Phillips Collection di Washington. Museo di arte moderna e contemporanea di Trento e Rovereto, Rovereto, Italy, 2010.

Franks, Pamela. "The Tiger's Eye": The Art of a Magazine. Yale University Art Gallery, New Haven, 2002.

Fuller McChesney, Mary. A Period of Exploration: San Francisco 1945–50. Oakland Museum Art Department, Oakland, CA, 1973.

Fundació Joan Miró. Amèrica, Amèrica. Barcelona, Spain, 1977.

Fundacion Caja de Pensiones. Beuys, Klein, Rothko: Profecía y transformación. Madrid, 1987.

Fundación Juan March. Arte USA. Madrid, 1977.

Gagnon, Paulette, and Yolande Racine. L'Oeil du Collectionneur. Musée d'art contemporain, Montréal, Canada, 1996.

Galería Elvira González. Eduardo Chillida – Alabastros/Mark Rothko – Pinturas. Madrid, 1998.

Galería Elvira González. Mark Rothko. Madrid, 1995.

Galería Theo, Madrid. 20 Años Theo: Gran Formato, Pequeño Formato. Madrid, 1988.

Galerie Beyeler. America, America. Basel, 1976.

Galerie Beyeler. America on Paper. Basel, 1974.

Galerie Beyeler. American Abstract Expressionists. Basel, Switzerland, 1988.

Galerie Beyeler. Homage to Francis Bacon. Basel, 1992.

Galerie Beyeler. Magic Blue. Basel, Switzerland, 1993.

Galerie Beyeler. Mark Rothko. Basel, 1990.

Galerie Beyeler. Petits Formats. Basel, 1978.

Galerie Charles Lienhard. Appel t.e.m. Villon. Zurich, Switzerland, 1962.

Galleria Civica di Modena. Cronaca: percorso didattico attraverso la pittura americana degli anni 60 e la pittura europea degli anni 70. Modena, Italy, 1976.

Galleria Lorenzelli. Mark Rothko. Bergamo, Italy, 1971.

Galleria Nazionale dell’Umbria. Pittura Contemporanea in Galleria: Mark Rothko, Adrian Schiess, Phil Sims, Gunter Umberg, Ulrich Wellmann. Perugia, Italy, 1996.

Gallerie d'arte Martano. Mark Rothko. Turin, Italy, 1971.

Gamwell, Lynn, ed. Dreams 1900 – 2000: Science, Art, and the Unconscious Mind. Binghamton University Art Museum, Binghamton, NY, 2000.

Gamwell, Lynn. “The Muse Is Within: The Psyche in the Century of Science.” In Dreams 1900 – 2000: Science, Art, and the Unconscious Mind, edited by Lynn Gamwell. Binghamton University Art Museum, Binghamton, NY, 2000: 13–60.

Gassner, Hubertus, Christiane Lange, and Oliver Wick. Mark Rothko Retrospektive. Kunsthalle der Hypo-Kulturstiftung, Munich, Germany, and Hamburger Kunsthalle, Hamburg, Germany, 2008.

Geldzahler, Henry. Art for Embassies, Selected from the Woodward Foundation Collection. Washington Gallery of Modern Art, Washington, DC, 1967.

Geldzahler, Henry. New York Painting and Sculpture: 1940–1970. Metropolitan Museum of Art, New York, 1969.

Georgia O'Keeffe Museum. Eye of Modernism: A Guide to the Exhibition. Georgia O'Keeffe Museum, Santa Fe, NM, 2001.

Giraudy, Danièle, ed. Musée Cantini: Acquisitions Récentes, 1989-2004. Musée Cantini, Marseille, France, 2004.

Glimcher, Arnold. Rothko: Dark Palette. Pace Gallery, New York, 2016.

Glimcher, Marc. Mythology: Alexander Calder, Willem De Kooning, Max Ernst, Arshile Gorky, Adolph Gottlieb, Frederick Kiesler, André Masson, Roberto Matta, Joan Miró, Barnett Newman, Isamu Noguchi, Jackson Pollock, Mark Rothko, David Smith. Pace Gallery, New York, 2012.

Gmurzynska, Krystyna. Klassische Moderne. Galerie Gmurzynska, Cologne, 1981.

Golbin, Pamela, ed. Orizzonti/Rosso. Fondazione Valentino Garavani e Giancarlo Giammetti, Milan, Italy, 2025.

Goldwater, Robert, and Peter Selz. Mark Rothko, A Retrospective Exhibition, Paintings 1945–1960. Whitechapel Art Gallery, London, 1961.

Goldwater, Robert, and Peter Selz. Mark Rothko. Kunsthalle Basel, Basel, Switzerland, 1962.

Goldwater, Robert, Emilio Villa, and Peter Selz. Mark Rothko. Stedelijk Museum, Amsterdam, 1961.

González Orbegozo, Marta. Minimalismos, un signo de los tiempos. Museo Nacional Centro de Arte Reina Sofía, Madrid, 2001.

Goossen, Elayne C., and Elayne H. Varian. Betty Parsons’ Private Collection. Finch College, New York, 1968.

Grabenhorst-Randall, Terree. Jung and Abstract Expressionism: The Collective Image Among Individual Voices. Hofstra Museum, Emily Lowe Gallery, Hofstra University, Hempstead, NY, 1986.

Greene, Alison de Lima, ed. Mark Rothko: An Essential Reader. Museum of Fine Arts, Houston, Houston, TX, 2015.

Greenhalgh, Adam. Mark Rothko: Paintings on Paper. National Gallery of Art, Washington, 2023.

Guilbaut, Serge, Manuel J. Borja-Villel, and Rosario Pieró Carrasco. Bajo la Bomba: El Jazz de la Guerra de imagenes transatlantica, 1946-1956. Museo Nacional Centro de Arte Reina Sofía, Madrid, and Museu d’Art Contemporani de Barcelona, Barcelona, Spain, 2007.

Haag, Sabine, and Jasper Sharp, eds. Mark Rothko. Kunsthistorisches Museum Wien, Vienna, 2019.

Haag, Sabine, and Jasper Sharp, eds. The Shape of Time. Kunsthistorisches Museum Wien, Vienna, 2018.

Hadler, Mona, and Jerome Viola. Brooklyn College Art Department Past and Present 1942–1977. New York, 1977.

Hall-Duncan, Nancy, and Irving Sandler. The American Avant-Garde: A Decade of Change 1936–1946. Bruce Museum of Arts and Science, Greenwich, CT, 2000.

Hall-Duncan, Nancy, and Sam Hunter. The Surrealist Vision: Europe and the Americas, Bruce Museum of Arts and Science, Greenwich, CT, 1998.

Hapkemeyer, Andreas, ed. The Perception of the Horizontal. Museion, Bolzano, Italy, 2005.

Harten, Jürgen. Bilder sind nicht verboten: Kunstwerke seit der Mitte des 19. Jahrhunderts mit ausgewählten Kultgeräten aus dem Zeit alter der Aufklärung. Städtische Kunsthalle, Düsseldorf, 1982.

Haskell, Barbara. The American Century: Art & Culture 1900-2000 (Part I, 1900-1950). Whitney Museum of American Art, New York, 1999.

Hauptman, Jodi. Drawing from the Modern, 1880-1945. The Museum of Modern Art, New York, 2005.

Hauptman, Jodi. Master Drawings from the Museum of Modern Art: Cézanne to Pollock. The Shanghai Museum, Shanghai, 2006.

Haus am Waldsee. Gegenwart bis 1962. Berlin, 1962.

Hebert, Natasha, Daniela Ferretti, and Axel Vervoordt. Lo sguardo dell'artista. Palazzo Fortuny, Venice, 2013.

Hobbs, Robert Carleton, and Gail Levin. Abstract Expressionism: The Formative Years. Herbert F. Johnson Museum of Art, Cornell University, Ithaca, NY, 1978.

Hobbs, Robert. The University of Iowa Museum of Art: 101 Masterworks. The University of Iowa Museum of Art, Iowa City, IA, 1986.

Homann, Joachim, Margaret Morgan Grasselli, and Miriam Stewart, eds. American Watercolors, 1880–1990: Into the Light. Harvard Art Museums, Cambridge, MA, 2023.

Hopps, Walter, and Neil Printz. Amerikanische Zeichnungen, 1930 – 1980. Städtische Galerie im Städelschen Kunstinstitut, Frankfurt, 1985.

Hopps, Walter, and Neil Printz. Cinquante ans de dessins américains, 1930-1980. Ecole nationale supérieure des Beaux-Arts, Paris, 1985.

In Celebration: Works of Art from the Collections of Princeton Alumni and Friends of The Art Museum, Princeton University. Princeton University Art Museum, Princeton, NJ, 1997.

The International Council of The Museum of Modern Art. American Abstract Expressionists. City Art Centre and Fruitmarket Gallery, Edinburgh, 1981.

The Israel Museum. Promised Gifts. The Israel Museum, Jerusalem, Israel, 1985.

Janie C. Lee Gallery. Master Drawings: 1928-1984. Houston, TX, 1984.

Jeffett, William, and Martica Sawin. Surrealism in America during the 1930s and 1940s: Selections from the Penny and Elton Yasuna Collection. Salvador Dalí Museum, St. Petersburg, FL, 1998.

Jones, Caroline A. Modern Art at Harvard: The Formation of the Nineteenth- and Twentieth-Century Collections of the Harvard University Art Museums. Harvard University Art Museums, Cambridge, MA, and Abbeville Press, New York, 1985.

Jones, Caroline A. Twentieth-century drawings from the Anderson Collection: Auguste Rodin to Elizabeth Murray. Stanford University Museum of Art, Stanford, CA, 1988.

Jones, Leslie, Isabelle Dervaux, and Susan Laxton. Drawing Surrealism. Los Angeles County Museum of Art, Los Angeles, CA, 2012.

Kaiser, Franz-W., Harry Cooper, Henk van Os, and Joost Zwagerman. Mark Rothko: Uit de collectie van de National Gallery of Art, Washington. Gemeentemuseum Den Haag, The Hague, Netherlands, 2014.

Kampf, Avram. Jewish Experience in the Art of the Twentieth Century. The Jewish Museum, New York, 1975.

Karlstrom, Paul J., and Dore Ashton, Cross-Currents in Modern Art: A Tribute to Peter Selz. Achim Moeller Fine Art, New York, 2000.

Kawamura Memorial DIC Museum of Art. Mark Rothko. Sakura, Japan, 2009.

Kellein, Thomas, ed. Mark Rothko: Kaaba in New York. Kunsthalle Basel, Basel, Switzerland, 1989.

Kertess, Klaus. Sea Change. Parrish Art Museum, Southampton, NY, 1998.

Kinghorn, George, ed. Image and Energy: Selections from the Haskell Collection. Museum of Contemporary Art, Jacksonville, FL, 2004.

Kittelmann, Udo, Dieter Scholz, and Anke Daemgen. Bilder Träume: Die Sammlung Ulla und Heiner Pietzsch. Neue Nationalgalerie Berlin, Staatliche Museen Preussischer Kulturbesitz, Berlin, 2009.

Koszinowski, Ingrid. Otto Ritschl, 1885–1976: Retrospektive. Museum Wiesbaden and Von der Heydt-Museum, Wuppertal, Germany, 1997.

Krauss, Rosalind. Works on Paper: American Art 1945–1975. Bellingham, WA, 1977.

La Collezione Peggy Guggenheim, Venezia: arte del 20. secolo. Galleria civica d'arte moderna, Turin, Italy, 1975.

The Larry Aldrich Museum. Brandeis University Creative Arts Awards 1957 – 1966, Tenth Anniversary Exhibition. Ridgefield, CT, 1966.

Lawrence, James. Mark Rothko: Works on Paper, 1941–1947. Pace Gallery, New York, 2014.

Lecoq-Ramond, Sylvie. Variations autour de la crucifixion: regards contemporains sur Grünewald. Musée d’Unterlinden, Colmar, France, 1993.

Leeum, Samsung Museum of Art (Seoul, Korea). Leeum 10th Anniversary Exhibition: Beyond and Between. Seoul, Korea, 2014.

Lewison, Jeremy. "'A New Spirit of Freedom': Abstract Expressionism in Europe in the Aftermath of War." In Abstract Expressionism, edited by David Anfam. Royal Academy of Arts, London, 2016.

Lieberman, William S. 20th Century Masters: The Thyssen-Bornemisza Collection. National Gallery of Art, Washington, 1982.

Lieberman, William S. A Treasury of Modern Drawing: The Joan and Lester Avnet Collection. The Museum of Modern Art, New York, 1978.

M. Knoedler and Company. American Works on Paper: 1945-1975. New York, 1975.

Maciejunes, Nannette V. A Nation's Legacy: 150 years of American Art from Ohio Collections. Columbus Museum of Art,Columbus, OH, 1992.

Marisa del Re Gallery. Nine Contemporary American Masters. New York, 1983.

Marisa del Re Gallery. Ten American Abstract Masters. New York, 1981.

Marizo, Peter C. A Spirited Vision: Highlights of the Bequest of Caroline Wiess Law to the Museum of Fine Arts, Houston. The Museum of Fine Arts, Houston, Houston, TX, 2004.

Mark Rothko 1949: A Year in Transition: Selections from the Mark Rothko Foundation. San Francisco Museum of Modern Art, San Francisco, CA, 1983.

Marlborough Galleria d'Arte. Mark Rothko. Rome, 1971.

Marlborough-Gerson Gallery. The New York Painter: A Century of Teaching: Morse to Hofmann. New York, 1967.

Marlborough New London Gallery. Mark Rothko. Marlborough New London Gallery, London, UK, 1964.

McDaniel, Robert. Abstract Expressionist Drawings, 1941–1955. Janie C. Lee Master Drawings, New York, 1988.

Messer, Thomas M., and Akira Asahi, eds. Modern Art in the West. Tokyo Metropolitan Teien Art Museum, Tokyo, Japan, 1983.

The Metropolitan Museum of Art. Two Hundred Years of Watercolor Painting in America: An Exhibition Commemorating the Centennial of the American Watercolor Society. New York, 1966.

Michael Rosenfeld Gallery. Lines & Myths: Abstraction in American Art 1941–1951. New York, 1992.

Minnesota Museum of Art. American Drawing: 1927–1977. St. Paul, MN, 1977.

Mintz Messinger, Lisa. Abstract Expressionism, Works on Paper: Selections from the Metropolitan Museum of Art. Metropolitan Museum of Art, New York, 1992.

Mintz Messinger, Lisa. Abstract Expressionism: Works on Paper, Selections from The Metropolitan Museum of Art. The National Museum of Modern Art, Tokyo, 1995.

Mintz Messinger, Lisa. Expresionismo abstracto: obra sobre papel, Colección The Metropolitan Museum of Art, Nueva York. Fundación Juan March, Madrid, 2000.

Modern American Painting, 1930–1958. York City Art Gallery, York, England, 1960.

Moderne Amerikanische Malerei 1930–1958. Hessisches Landesmuseum, Darmstadt, Germany, 1960.

Morrin, Peter, and Eric Zafran. Drawings from Georgia Collections: 19th & 20th Centuries. High Museum of Art, Atlanta, GA, 1981.

Müller, Markus, ed. Who Is Who: Eddy Novarro and the Avant-Garde from the 50s to the 70s. Kunstmuseum Pablo Picasso Münster, Münster, Germany, 2011.

Müller, Markus. “The American Avant-Garde in the Eddy Novarro Collection.” In Who Is Who: Eddy Novarro and the Avant-Garde from the 50s to the 70s, edited by Markus Müller. Kunstmuseum Pablo Picasso Münster, Münster, Germany, 2011.

Musée d'art et d'histoire. Art du 20e siècle: collections genevoises. Geneva, Switzerland, 1973.

Musées de Marseill. La planète affolée: Surréalisme Dispersion et Influences, 1938–1947. Marseille, France, 1986.

Museum of Art, Washington State University. Drawing 1900 – 1945: A Survey of American Works. Museum of Art, Washington State University, Pullman, WA, 1979.

Museum Wiesbaden. Das Geistige in der Kunst: Vom Blauen Reiter zum Abstrakten Expressionismus. Wiesbaden, Germany, 2010.

Nakabayashi, Kazuo, et al. Modern Paradise: Japanese and Western Masterpieces from the Ohara Museum of Art and the National Museum of Modern Art, Tokyo. The National Museum of Modern Art, Tokyo, Tokyo, 2006.

The National Museum of Art, Osaka. Dream Museum: The Osaka Collections. The National Museum of Art, Osaka, Japan, 2007.

The National Museum of Modern Art, Tokyo. Abstract Expressionism: Masterpieces from Japanese Collections. The National Museum of Modern Art, Tokyo, Tokyo, 1995.

Neff, Terry Ann R. Selections from the William J. Hokin Collection. Museum of Contemporary Art Chicago, Chicago, IL, 1985.

Nihon Keizai Shimbun, Inc. Modern Art at Harvard. Tokyo, 1999.

O’Doherty, Brian. Mark Rothko: The Dark Paintings, 1969–70. Pace Gallery, New York, 1985.

O’Doherty, Brian. Mark Rothko: The Last Paintings. Pace Gallery, New York, 1994.

Oberlin Alumni Collect: Modern and Contemporary Art. Allen Memorial Art Museum, Oberlin, OH, 1989.

Oberösterreichische Landesmuseen, Schlossmuseum. Wahrnehmungen, Aspekte der österreichisch - amerikanischen Beziehungen in der Bildenden Kunst, 1945-1965. Linz, Austria, 2005.

Omer, Mordechai, and Christopher Rothko, eds. Mark Rothko. Tel Aviv Museum of Art, Tel Aviv, Israel, 2007.

Oresman, Janice C. Twentieth Century American Watercolor. The Gallery Association of New York State, Hamilton, NY, 1983.

Pagé, Suzanne, and Christopher Rothko, eds. Mark Rothko. Fondation Louis Vuitton, Paris, 2023.

Palm, Regina. The Collection of Nancy Lee and Perry R. Bass. Kimbell Art Museum, Fort Worth, TX, 2015.

Panicelli, Ida. Mark Rothko: Mostra didattica. Galleria civica d’arte moderna, Palazzo Te, Mantua, Italy, 1977.

The Peggy Guggenheim Collection. Tate Gallery, London, 1964.

Peggy Guggenheims samling frȧn Venedig. Moderna Museet, Stockholm, 1966.

Perlein, Gilbert, ed. Ecole de New York: Expressionnisme abstrait américain, oeuvres sur papier. Galerie contemporaine du musée d'Art moderne et d'Art contemporain, Nice, France, 2005.

Perry-Lehmann, Meira, ed. On Paper, In Paper, With Paper: 100 Twentieth-Century Works from the Collection of the Israel Museum, Jerusalem. The Israel Museum, Jerusalem, Israel, 1990.

Radic, Sally. A Través del Claroscuro: Luz y Sombra en el Dibujo del siglo XVI al siglo XX. Centre Cultural Bancaja, Valencia, Spain, 1996.

Rand, Harry. Recent Trends in Collecting: Twentieth-Century Painting and Sculpture from the National Museum of American Art. National Museum of American Art, Smithsonian Institution, Washington, DC, 1982.

Rathbone, Eliza E., ed. Avery, Gottlieb & Rothko: By the Sea. Cape Ann Museum, Gloucester, Massachusetts, 2026.

Reynolds, Jock. American Abstraction at the Addison. Addison Gallery of American Art, Phillips Academy, Andover, MA, 1991.

Riley II, Charles A. True Colors. Nassau County Museum of Art, Roslyn Harbor, NY, 2018.

Robert Elkon Gallery. New Acquisitions. New York, 1968.

Robert Elkon Gallery. Twentieth Century Masters. New York, 1971.

Robert Elkon Gallery. Twentieth Century Masters. New York, 1972.

Robert Elkon Gallery. Twentieth Century Masters. New York, 1973.

Robertson, Bryan. “Land of the Free, Home of the Brave”: Artist Immigrants in America in the Twentieth Century. Crane Kalman Gallery, London, 2000.

Rodgers, Timothy Robert, Kermit Champa, Nancy Versaci, and Judith Tolnick. Flying Tigers: Painting and Sculpture in New York 1939–1946. Bell Gallery, Brown University, Providence, Rhode Island, 1985.

Romero, Conchita, and Rafael Valentín López Flores. De Rafael a Bacon: Obras maestras de la Colección Abelló, Centro Cultural Fundación Unicaja, Málaga, Spain, 2024.

Roque, Georges, Karel J. Geirlandt, and Monique Verken. American Art in Belgium. Palais des Beaux-Arts de Bruxelles, Brussels, 1977.

Rose, Barbara. Miró in America. Museum of Fine Arts, Houston, 1982.

Rose, Bernice. A Century of Modern Drawing from the Museum of Modern Art, New York. British Museum, London, 1982.

Rose, Bernice. Bonnard/Rothko: Color and Light. PaceWildenstein, New York, 1997.

Rose, Bernice. Rothko: A Painter’s Progress: The Year 1949. PaceWildenstein, New York, 2004.

Rosenblum, Robert. Mark Rothko: Notes on Rothko’s Surrealist Years. Pace Gallery, New York, 1981.

Rosenfeld, Michael, and Jeffrey Wechsler. Surrealism and American Art, 1932–1949. Boca Raton Museum of Art, Boca Raton, FL, 1997.

Rossen, Susan F., and Brandon Ruud. Graphic Modernism: Selections from the Francey and Dr. Martin L. Gecht Collection at The Art Institute of Chicago. Art Institute of Chicago, Chicago, IL, 2003.

Rothko, Christopher and Eleanor Nairne. Mark Rothko, 1968: Clearing Away. Pace Gallery, London, 2021.

Rothko, Christopher, and Elena Geuna, eds. Rothko in Florence. Palazzo Strozzi, Florence, Italy, 2026.

Rotzler, Willy. Wege zur Abstraktion. Basel, Switzerland, 1989.

Ruggles, Marian G. A Selection of Drawings, Pastels and Watercolors from the Collection of Mr. and Mrs. Lester Francis Avnet. New York Cultural Center, New York, 1970.

Rylands, Philip, Sigrid Achenbach, and Chiara Barbieri. The Timeless Eye: Master Drawings from the Jan and Marie-Anne Krugier-Poniatowski Collection. Peggy Guggenheim Collection, Venice, Italy, 1999.

Sainte-Fare Garnot, Nicolas. La passion du dessin: collection Jan et Marie-Anne Krugier-Poniatowski. Musée Jacquemart-André, Institut de France, Paris, 2002.

Sandler, Irving and Andrei Tolstoy. Mark Rothko: Into an Unknown World, 1949– 1969. Garage Center for Contemporary Culture, Moscow, 2010.

Sandler, Irving, and DeCourcy E. McIntosh. The Collector as Patron in the Twentieth Century. Knoedler & Company, New York, 2000.

Sandler, Irving. Mark Rothko: Paintings, 1948–1969. Pace Gallery, New York, 1983.

Sandler, Irving. Newman, Rothko, Still: Search for the Sublime. C & M Arts, New York, 1994.

Sanfo, Vincenzo, et al. Pollock's America: Jackson Pollock in Venice: The "Irascibles" and the New York School, trans. Christopher Evans, et al. Museo Correr, Venice, 2002.

Schilling, Jürgen. Passion: Bernward-Jahr, 1993. Roemer- und Pelizaeus-Museum, Hildesheim, Germany, 1993.

Schimmel, Paul, and Lawrence Alloway. The Interpretive Link: Abstract Surrealism into Abstract Expressionism, Works on Paper, 1938–1948. Newport Harbor Art Museum, Newport Beach, CA, 1986.

Schmidt, Katharina. White Fire, Flying Man: Amerikanische Kunst 1959-1999 in Basel. Museum für Gegenwartskunst, Basel, Switzerland, 1999.

Schmidt, Marianne, and Johannes Gachnang. Stiftung Anne-Marie und Victor Loeb. Kunsthalle Bern, Bern, Switzerland, 1978.

Schmied, Wieland, ed. Zeichen des Glaubens: Geist der Avantgarde: Religiöse Tendenzen in der Kunst des 20. Jahrhunderts. Schloss Charlottenburg, Grosse Orangerie, Berlin, 1980.

Schmied, Wieland. Sammlung Sprengel II: 1965-1969. Kestner-Museum, Hanover, Germany, 1969.

Schultz, Oliver, ed. “Gottlieb/Rothko: The Realist Years.” 125 Newbury Free Press 10 (May 2025): 1–47.

Schwartz, Constance and Franklin Hill Perrell. Long Island Collects: An exhibition celebrating art from Long Island Collections. Nassau County Museum of Art, Roslyn Harbor, NY, 2002.

Schwartz, Constance. Surrealism: Dreams on Canvas. Nassau County Museum of Art, Roslyn Harbor, NY, 2007.

Schwarz, Dieter. “Just There” Rothko Ryman. Hauser & Wirth, Zurich, Switzerland, 2025.

Schwarz, Dieter. Plane/Figure: Amerikanische Kunst aus Schweizer Privatsammlungen und aus dem Kunstmuseum Winterthur. Kunstmuseum Winterthur, Winterthur, Switzerland, 2006.

Sciama, Cyrille, ed. Monet/Rothko. Musée des impressionnisme, Giverny, France, 2022.

Scottish National Gallery of Modern Art. America America. Edinburgh, 1977.

Selz, Peter. Mark Rothko. Musée d'Art Moderne de la Ville de Paris, Paris, France, 1962.

Selz, Peter. Mark Rothko. Museum of Modern Art, New York, 1961.

Selz, Peter. Mark Rothko. Palais des Beaux-Arts, Brussels, 1962.

Seymour, Anne. Beuys, Klein, Rothko: Transformation and Prophecy. Anthony d’Offay Gallery, London, 1987.

Sharp, Jasper, Henrike Schulte, and Folker Skulima. Affinities: Werke der Peggy Guggenheim Collection und der Sammlung Ulla und Heiner Pietzsch. Solomon R. Guggenheim Foundation, New York, 2006.

Shiff, Richard. Rothko/Sugimoto: Dark Paintings and Seascapes. Pace London, London, 2012.

Shima, Atsuhiko, Yasugi, Masahiro, and Yuko Fujiyoshi, ed. The 30th Anniversary: Collection of the National Museum of Art. The National Museum of Art, Osaka, Japan, 2007.

Sims, Patterson. Decade of Transition: 1940 – 1950. Whitney Museum of American Art, New York, 1981.

Snyder, Jill. Against the Stream: Milton Avery, Adolph Gottlieb, and Mark Rothko in the 1930s. Katonah Museum of Art, Katonah, NY, 1994.

Spalding, Phinizy. Georgia Collects. High Museum of Art, Atlanta, GA, 1989.

Staatliche Kunsthalle Baden-Baden. Amerikanische Zeichner des 20. Jahrhunderts – Drei Generationen von der Armory Show bis heute. Baden-Baden, Germany, 1976.

Staatliche Kunsthalle, Baden-Baden. Komische Bilder in der Kunst des 20. Jahrhunderts. Baden-Baden, Germany, 1984.

Stebbins, Theodore E., Jr. American Master Drawings and Watercolors: A History of Works on Paper from Colonial Times to the Present. New York, 1976.

Stebbins, Theodore E., Jr. American Watercolors and Pastels, 1875–1950, at the Fogg Art Museum. Harvard University Art Museums, Cambridge, MA, 2006.

Stephen Mazoh & Co. Twentieth Century Works of Art. New York, 1984.

Stephens, Chris. Mark Rothko in Cornwall. Tate Gallery St Ives, St Ives, England, 1996.

Tate Gallery. Mark Rothko, 1903–1970. London, 1987.

Tel Aviv Museum of Art. Dimuyim ḳosmiyim. Tel Aviv, Israel, 1984.

Temkin, Ann. Abstract Expressionism at The Museum of Modern Art: Selections from the Collection. The Museum of Modern Art, New York, 2010.

Three Decades of American Art Selected by the Whitney Museum. Seibu Museum of Art, Tokyo, 1976.

Treasures from East Bay Collections. Oakland Art Museum, California, 1962.

Tuchman, Maurice, Jodi Freeman, Carel Blotkamp, et al. The Spiritual in Art: Abstract Painting 1890–1985. Los Angeles County Museum of Art, Los Angeles, CA, 1986.

Twentieth Century Works on Paper. Art Gallery, University of California, Irvine, and Memorial Union Art Gallery, University of California, Davis, 1968.

Uhl, Katharina. Kaleidoskop der Moderne: Chagall, Miró, Picasso und die Avantgarde. Staatliches Museum Schwerin, Schwerin, Germany, 2015.

Ulmer Museum. Stiftung Sammlung Kurt Fried: Internationale Kunst der 1950er bis 1980er Jahre. Ulm, Germany, 1999.

Ulmer Museum. Studio f: Sammlung Kurt Fried. Ulm, Germany, 1976.

Utopia Pavilion: 1998 Lisbon World Exposition. Lisbon, 1998.

Vann, Philip. Silence in Painting. Crane Kalman Gallery, London, 1999.

Vervoordt, Axel, ed. In-Finitum. Palazzo Fortuny, Venice, 2009.

Vervoordt, Axel, et al. TRA: Edge of Becoming. Palazzo Fortuny, Venice, Italy, 2011.

Vicente Garín Llombart, Felipe, and Almudena Ros de Barbero. Colección Abelló. CentroCentro Cibeles de Cultura y Ciudadanía, Madrid, 2014.

Vihos, Lisa. The Influence of Surrealism on American Art: Loans from the Solomon R. Guggenheim Museum. University of Michigan Museum of Art, Ann Arbor, MI, 1984.

Vischer-Wadler, Anne-Marie, Ernst Vischer-Wadler, and Katharina Schmidt. Die Sammlung Anne-Marie und Ernst Vischer-Wadler. Ein Vermächtnis. Kunstmuseum-Öffentliche Kunstsammlung Basel, Basel, Switzerland, 1997.

Waldman, Diane. Mark Rothko, 1903–1970: A Retrospective. Solomon R. Guggenheim Museum, New York, 1978.

Waldman, Diane. Twentieth-Century American Drawing: Three Avant-Garde Generations. Solomon R. Guggenheim Museum, New York, 1976.

Washburn Gallery. Mark Rothko: The Edith Sachar Collection. New York, 2001.

Wechsler, Jeffrey. Abstract Expressionism, Other Dimensions: An Introduction to Small Scale Painterly Abstraction in America, 1940–1965. The Jane Voorhees Zimmerli Art Museum, Rutgers University, New Brunswick, NJ, 1989.

Wechsler, Jeffrey. Pathways and Parallels: Roads to Abstract Expressionism. Hollis Taggart Galleries, New York, 2007.

Wechsler, Jeffrey. Surrealism and American Art, 1931–1947. Rutgers University Art Gallery, New Brunswick, NJ, 1977.

Wechsler, Jeffrey. Watercolors from the Abstract Expressionist Era. Katonah Museum of Art, Katonah, NY, 1990.

Weeks, Edward F. American Watercolors: 1850 – 1972. Birmingham Museum of Art, Birmingham, AL, 1972.

Weiss, Evelyn, ed. Mark Rothko, 1903–1970. Museum Ludwig, Cologne, Germany, 1988.

Weiss, Jeffrey, ed. Mark Rothko. National Gallery of Art, Washington, 1998.

Weiss, Jeffrey, et al. Mark Rothko. Musée d’art moderne de la ville de Paris, Paris, 1999.

Weppelmann, Stefan, and Gerhard Wolf, eds. Rothko / Giotto. Gemäldegalerie, Staatliche Museen zu Berlin, Berlin, 2009.

Wesle, Anna, ed. Louisiana Visits Franz Gertsch: Post-War and Contemporary Art in Dialogue. Museum Franz Gertsch, Burgdorf, Switzerland, 2024.

Westheider, Ortrud, and Michael Philipp, eds. Von Hopper bis Rothko: Amerikas Weg in die Moderne. Museum Barberini, Potsdam, Germany, 2017.

Wick, Oliver, ed. Mark Rothko. Palazzo delle esposizioni, Rome, 2007.

Wick, Oliver, et al. Mark Rothko. Fondation Beyeler, Basel, Switzerland, 2001.

Wick, Oliver, et al. Mark Rothko. Fundació Joan Miró, Barcelona, Spain, 2000.

Wick, Oliver. Mark Rothko and Barnett Newman. Fondation Beyeler, Basel, Switzerland, 2007.

Wick, Oliver. Mark Rothko: Paredes de Luz. Guggenheim Museum Bilbao, Bilbao, Spain, 2004.

Wick, Oliver. Mark Rothko: Works on Paper, 1930–1969. Galerie Beyeler, Basel, Switzerland, 2005.

Wick, Oliver. “Prelude.” In Mark Rothko, by Oliver Wick et al. Fondation Beyeler, Basel, Switzerland, 2001: 6–14.

Wight, Frederic S. The Artist's Environment: The West Coast. Amon Carter Museum of Western Art, Fort Worth, TX, 1962.

Wildenstein Gallery. Ten Americans from Pace. London, 1980.

Wilkin, Karen. The Joy of Color. Mnuchin Gallery, New York, NY, 2018.

Wilmerding, John. Church & Rothko: Sublime. Mnuchin Gallery, New York, 2020.

Wolfe, Townsend. American Abstract Drawings, 1930–1987: Selections from the Arkansas Arts Center Foundation Collection. The Arkansas Arts Center, Little Rock, AR, 1988.

Wolfgang Wittrock Kunsthandel. Abstrakte Kunst: Gemälde, Zeichnungen, Graphik. Düsseldorf, Germany, 1990.

Works From the Peggy Guggenheim Foundation. The Solomon R. Guggenheim Museum, New York, 1969.

Worthen, Amy N. MCM-Y2K 1900-2000: A Century of Art on Paper. Des Moines Art Center, Des Moines, IA, 1999.

Yasuhide, Shimbata, and Hideaki Shimamoto. Abstraction: The Genesis and Evolution of Abstract Painting, Cézanne, Fauvism, Cubism and on to Today. Artizon Museum, Tokyo, 2023.

Zoller, Pascale. I Love Yellow. Galerie Beyeler, Basel, Switzerland, 1996.

National Gallery of Art

© 2026 National Gallery of Art, Washington

Mark Rothko: Works on Paper will ultimately document approximately 2,600 works from public and private collections worldwide. Cataloging is ongoing, and works and information will be added to the site during the coming years.

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