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David Acton
Gottfried Boehm
Paloma Alarcó
Lawrence Alloway
Jean-Christophe Ammann
David Anfam
Matthew Baigell
Kelly Baum
Susan Behrends Frank
Mary Birmingham
Ellen Breitman
Vincent J. Bruno
Markus Brüderlin
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Eduardo Prado Coelho
Anne Cohen DePietro
Bradford R. Collins
Michael Compton
Thomas Crow
Susan Davidson
Cordélia De Brosses
Esther Dotan
Morgan Falconer
Susan C. Faxon
Briony Fer
Ruth Fine
Lynn Gamwell
Hubertus Gassner
Elena Geuna
Adam Greenhalgh
Andreas Hapkemeyer
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Azusa Hashimoto
Miriam Häßler
Sumi Hayashi
Alissa J. Hirshfeld
Robert Carlton Hobbs
Sam Hunter
Ahuva Israel
Nancy Jachec
Franz-W. Kaiser
Thomas Kellein
Emily A. Kerrigan
George Kinghorn
Karin Koschkar
Ingrid Koszinowski
Gwendolin Kremer
Donald Kuspit
Christiane Lange
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Helmut Leder
Carol Mancusi-Ungaro
Suzanne Folds McCullagh
Lisa Mintz Messinger
Jane M. Murphy
Eleanor Nairne
Mordechai Omer
Benjamin Paul
Meira Perry-Lehmann
Francesca Pola
Claudia Puizza
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Barbara Rose
Robert Rosenblum
Mark Rosenthal
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Irving Sandler
Joseph J. Schildkraut
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Jasper Sharp
Jens Stenger
Jessica Stewart
Kalus Stichweh
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127 References
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Essay/catalog entry
The National Museum of Modern Art, Tokyo. Rothko entry. In
Abstract Expressionism: Masterpieces from Japanese Collections
. The National Museum of Modern Art, Tokyo, Tokyo, 1995
.
Omer, Mordechai. “Cycles of Faith: Rothko, Kierkegaard, and the Sacrifice of Isaac.” In
Mark Rothko
, edited by Mordechai Omer and Christopher Rothko. Tel Aviv Museum of Art, Tel Aviv, Israel, 2007
: 67–89
.
Paul, Benjamin. Rothko entry. In
Modern Art at Harvard
, by Nihon Keizai Shimbun, Inc. Tokyo, 1999
: 231-232
.
Perry-Lehmann, Meira. Rothko entry. In
On Paper, In Paper, With Paper: 100 Twentieth-Century Works from the Collection of the Israel Museum
, Jerusalem, edited by Meira Perry-Lehmann. The Israel Museum, Jerusalem, Israel, 1990
.
Pola, Francesca. Rothko entry. In
Peggy Guggenheim e la Nuova Pittura Americana
, by Luca Massimo Barbero. Arca, Chiesa di San Marco, Vercelli, 2008
: 156-158
.
Puizza, Claudia. “Chronology.” In Pagé, Suzanne, and Christopher Rothko, eds.
Mark Rothko
. Fondation Louis Vuitton, Paris, 2023
: 257–272
.
Rathbone, Eliza E. “Avery, Gottlieb & Rothko: A Close-Knit Trio.” In
Avery, Gottlieb & Rothko: By the Sea
, edited by Eliza E. Rathbone Cape Ann Museum, Gloucester, Massachusetts, 2026
: 17–43
.
Rathbone, Eliza E. “Mark Rothko: The Brown and Gray Paintings.” In
American Art at Mid-Century: The Subjects of the Artist
, by E.A. Carmean, Jr. et al. National Gallery of Art, Washington, 1978
: 242–269
.
Rose, Barbara. “Miró in America. In
Miró in America
by Barbara Rose. Museum of Fine Arts, Houston, 1982
: 5–45
.
Rosenblum, Robert. “Horizons.” In
The Perception of the Horizontal
, edited by Andreas Hapkemeyer. Museion, Bolzano, Italy, 2005
: 22–28
.
Rosenblum, Robert. “The Surrealist Years.” In
Mark Rothko: The Exhibitions at Pace
by Arnold Glimcher. Pace Gallery, New York, 2019
: 21–27
.
Rosenthal, Mark. “La riscoperta del sé e ulteriori sviluppi.” In
Action Painting, Arte Americana 1940–1970: dal Disegno all'Opera
, edited by Luca Massimo Barbero. Foro Boario di Modena, Italy, 2004
: 15–43
.
Rothko, Christopher. “Avery, Gottlieb & Rothko: Philosophy & Friendship.” In
Avery, Gottlieb & Rothko: By the Sea
, edited by Eliza E. Rathbone Cape Ann Museum, Gloucester, Massachusetts, 2026
: 177–185
.
Rothko, Christopher. “Introduction.” In
The Artist’s Reality: Philosophies of Art
, by Mark Rothko. New Haven, CT, 2004
: xi–xxxi
.
Rothko, Christopher. “Introduzione.” In
L’Artista e la sua realtà: Filosofie de l’arte
. Translated by Riccardo Venturi. Milan, 2007
: 11–38
.
Rothko, Christopher. “Mark Rothko and the Quiet Dominance of Form.” In
Coming to Light: Avery, Gottlieb, Rothko: Provincetown Summers, 1957–1961
, edited by E. A. Carmean, Jr. Knoedler & Company, New York, 2002
: 18–19
.
Rothko, Christopher. “Mark Rothko and the Quiet Dominance of Form.” In
Mark Rothko
, edited by Mordechai Omer and Christopher Rothko. Tel Aviv Museum of Art, Tel Aviv, Israel, 2007
: 11–27
.
Rothko, Christopher. “Rothko in Florence. Rothko in Rome. Stone, Space, and Spirit.” in
Rothko in Florence,
edited by Christopher Rothko and Elena Geuna. Palazzo Strozzi, Florence, Italy, 2026
: 15 – 39
.
Rothko, Christopher. “Rothko’s Novels.” In
Mark Rothko, 1968: Clearing Away
, by Christopher Rothko and Eleanor Nairne. Pace Gallery, London, 2021
: 7–9
.
Rothko, Christopher. “The Experience Behind the Icon.” In
Mark Rothko
by Kate Rothko Prizel, Christopher Rothko, Alexander Nemerov, et al. New York, 2022
: 9–30
.
Sandler, Irving. "Mark Rothko's Painting: Tranquility Tinged with Terror.” In
Mark Rothko: Into an Unknown World, 1949– 1969
, by Irving Sandler and Andrei Tolstoy. Garage Center for Contemporary Culture, Moscow, 2010
: 26-38
.
Schildkraut, Joseph J., Alissa J. Hirshfeld, and Jane M. Murphy. “Depressive Disorders, Spirituality and Early Dealths in the Abstract Expressionist Artists of the New York School.” In
Depression and the Spiritual in Modern Art: Homage to Miró
, edited by Joseph J. Schildkraut and Aurora Otero. New York, 1996
: 196–220
.
Schimmel, Paul. “Images of Metamorphosis.” In
The Interpretive Link: Abstract Surrealism into Abstract Expressionism, Works on Paper, 1938–1948
, by Paul Schimmel and Lawrence Alloway. Newport Harbor Art Museum, Newport Beach, CA, 1986
: 17–28
.
Schüppel, Katharina Christa. “From Myth to Abstraction. Mark Rothko and the New York School 1945-1970.” In
Rothko / Giotto
, edited by Stefan Weppelmann and Gerhard Wolf. Gemäldegalerie, Staatliche Museen zu Berlin, Berlin, 2009
: 89–118
.
Sharp, Jasper. "Den ganzen Himmel malen." In
Bilder Träume: Die Sammlung Ulla und Heiner Pietzsch
, by Udo Kittelmann et al. Neue Nationalgalerie Berlin, Staatliche Museen Preussischer Kulturbesitz, Berlin, 2009
: 57-61
.
Sharp, Jasper. “Die Augenzeugin und die Sammler: Zwei Sammlungen auf der Spur des Abstrakten Expressionismus.” In
Affinities: Werke der Peggy Guggenheim Collection und der Sammlung Ulla und Heiner Pietzsch
, by Jasper Sharp, Henrike Schulte, and Folker Skulima. Solomon R. Guggenheim Foundation, New York, 2006
: 123-139
.
Sharp, Jasper. Rothko entry. In
Verrückte Liebe: Von Dalí bis Francis Bacon: Surreale Kunst aus der Sammlung Ulla und Heiner Pietzsch
, by Evelyn Benesch. BA-CA Kunstforum, Wien, Vienna, 2006
: 176
.
Sharp, Jasper. “The Eyewitness and the Connoisseurs: Two Collections Trace Abstract Expressionism.” In
Affinities: Werke der Peggy Guggenheim Collection und der Sammlung Ulla und Heiner Pietzsch
, by Jasper Sharp, Henrike Schulte, and Folker Skulima. Solomon R. Guggenheim Foundation, New York, 2006
: 122-139
.
Stenger, Jens. “Mark Rothko’s Mural Sketches: Scientific Analysis.” In
Mark Rothko’s Mural Sketches: Materials and Use / Scientific Analysis
, by Annie Wilker and Jens Stenger. Cambridge, MA, 2009
.
Stewart, Jessica. “Biografie.” In
Mark Rothko Retrospektive
, by Hubertus Gassner et al. Kunsthalle der Hypo-Kulturstiftung, Munich, Germany, and Hamburger Kunsthalle, Hamburg, Germany, 2008
: 196–206
.
Stewart, Jessica. “Chronologie.” In
Mark Rothko
, by Jeffrey Weiss et al. Musée d'art moderne de la ville de Paris, Paris, 1999
: 251–274
.
Stewart, Jessica. “Chronology.” In
Mark Rothko
, by Oliver Wick et al. Fondation Beyeler, Basel, Switzerland, 2001
: 185–193
.
Stewart, Jessica. “Chronology.” In
Mark Rothko
, edited by Jeffrey Weiss. National Gallery of Art, Washington, 1998
: 331–352
.
Stewart, Jessica. "Chronology." In
Mark Rothko
, edited by Oliver Wick. Palazzo delle Esposizioni, Rome, 2007
: 211–220
.
Stewart, Jessica. Rothko entry. In
A Century of Drawing: Works on Paper from Degas to LeWitt
, edited by Judith Brodie and Andrew Robison. National Gallery of Art, Washington, 2001
.
Stichweh, Kalus. Rothko entry. In
Ein Geschenk ... Die Sammlung Sprengel
, edited by Angela Kriesel. Sprengel Museum, Hanover, Germany and Göttingen, Germany, 2010
: 120–121
.
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